Everything is Possible

E. Barbeau, Celebration, c2017, Encaustic on panel

The very best to all of you in 2020!

I thought of listing some of the things I accomplished this year, but depending on how you look at it, it either sounded like a brag, or not a big deal.

One brilliant thing that happened this year was that I began to get used to being unemployed. My identity of being a competent and useful worker bee took a serious hit when I first left work, and it began to feel too late to accomplish anything with my creative work.

It was brilliant, when bit by bit, I began to realize there were positives. I didn’t have to stick to what I had been doing. I could look at things I really wanted to do when I ten, or 20, or 30. I love making abstract paintings, but when I was a kid, I really wanted to make realistic drawings in intense detail. I went back to my sketchbook, and forward to digital work. I didn’t stick to any one medium or any one style. I explored it all and my plan is to continue doing so.

I spent the whole of 2019 in revision hell. Some writers love to revise, but I don’t—didn’t. I like it a whole lot better now. I revised two novels and a novella and managed only one short story of new material.

I found a little book called Writing into the Dark, by Dean Wesley Smith, and man, that book made a difference to my confidence as a writer. It felt so good to hear that someone else writes as I do. As though they are reading a story. I’d never heard anyone else describe how it was for me, and I’ve read a zillion writing books.  My first drafts were what is usually called ‘shitty’. Which is what made the revision so trying. I have some new tools to deal with that now. It’s called cycling. Write about 500 words, revise, continue. How is it I didn’t know that many writers do that?

I’m contented. For me it was a very good year. It was best when I didn’t listen to the news too much, though even that eventually boiled down to a bit of perspective.

Take the long views, my dears, and go forth with courage. Happy 2020.

It’s Complicated

Leaf Thing smFor the past few weeks, I’ve been making changes. Changes in my environment. No, I’m not moving house. I’ll leave the rooms where they are, but anything inside those rooms is in danger of being gone, or in another room entirely.

A few weeks ago I painted the walls in the little room I call an office most of the time, my study when I’m being pretentious. The walls are now a lovely deep grey.

Then in the middle of last week, I noticed that the hardwood floors in the living-room were taking a beating from my dog, Caro’s, nails. Down I went on my hands and knees and scrubbed the whole floor, moving each piece of the furniture at least once, so I could get every corner. I then used a renewing product to make the floor look better.

Nice!

But the dog’s nails will abrade the hardwood all over again if I leave it as is. No problem. I moved the area rug from the family room downstairs, gave it a shampoo, and carried the 10′ x 12′ carpet upstairs to roll out on the living-room floor. More moving of furniture.

So why did I do all that? Does my little office look so much better after I shifted all the furniture again this morning?

The simple answer, my gloating answer is, because I can.

Whaaat?

Yes, because I’m old, and I can. If you’re under fifty, you probably don’t get that, but believe me, carrying a slightly damp 10′ x 12′ carpet up twelve steps to unroll in another room isn’t so easy when you’re almost seventy.

This will sound like a digression, but there is a link. Here goes.

In mid-April, I read a report in American Scientific with the headline “Implicit Bias toward Race and Sexuality have Decreased”

I’m all about good news and I was delighted to read that bias against race and sexual difference are on the wane. But as I continued to read I saw that while people may more tolerant toward others of differing race and sexuality, they have become more biased against the old. Well yuck!

I had already noticed bias against the old. Heck, I do it myself, often barely restraining a heavy sigh when some elderly person ahead of me at the grocery store counts out their coins for a loaf of bread and three bananas.

Now I’m the old one, working hard to prove that I’m still relevant.

You see how complicated things get?

If you’re lucky you’ll get old, and even if you have always been in the right group, the admired group, a time will come when you’re not.

The above painting is in it’s beginning stage. I’ll continue by adding darker and lighter greys. Colour might happen and I think I might call it: “It’s Complicated.”