Looking Back and Moving Forward

Drawing of a young girl looking behind her at a raven.
Whose There? 2016, Ink watercolour sketch

 

 

 

 

I completed the novella, Hannah’s Hearing about a week ago, and this week it was time to chose a new project.

But which one? They’re all clamouring for my attention all the time. Every silly idea, big or small wants prescidence and as I mentioned last week, I’m feeling entirely overwhelmed by all the work there is to do.

Growing Gills, a book on doing your creative work, by Jessica Abel, was recommended to me by someone at the Sketchbook Skool Facebook group.

Jessica’s book is full of good advice on how to narrow down and do one project–ONLY ONE–in order to focus and complete your work.

Can I stick to just ONE Project?

Snort. Of course I can’t. But I can take all those little ideas, write them down and promise them I’ll get to them in time. (Maybe not, but what do they know?) In the meantime, I’ve chosen one project to focus on.

Some years ago, I started a novel I called The Chronos Project. It is a time travel novel that takes place in 2087 and 1940 Germany. It seemed like an excellent idea, but I couldn’t make it work. It got too complicated and I didn’t have the chops for it. I revisited it a while later, but again, I set it aside for another shiny new idea, or was it because I couldn’t figure out how to end the story? At 120,000 words it didn’t feel as though it was coming to an end any time soon.

This week I pulled that story out again, and I’m reading it, back to front. Yes, weirdness. But I wanted to see it in a new way. I’m finding to my surprise that the writing is good, the story is coherent and has tension. And the idea is still exciting.

So, I made a small plan. As per Jessical Abel’s suggestion, I chose this project, and I will break it down to its small parts. This week and part of next week, I will continue to read the story and make a brief note about each chapter. The next project is to read each pov characters pages in order so that I can see their story arc and find out where I can strengthen them and where they’re story needs to go.

That’s all the plan there is for now. I’ll make more as I come to the end of a goal and am ready to move on to the next.

Oh, and while I’m reading I’m listening to Minor Matter. Do yourself a favour and give them a listen.

 

Help! I’m Drowning

14102383_10153305589557537_7493960287916582389_nWell, no, not really. But I am a little overwhelmed with all the work that comes along in spring. I have a huge yard and vegetable garden that needs all kind of attention this time of year. Not complaining, I’m very lucky.

I spent this morning buying seeds and looking for trees I might to plant in a bare spot. This afternoon I’ll need to reseed grass where Caro, my dog uhm…burned it out.

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On the plus side I finished Hannah’s Hearing, my fantasy/boomerlit novellayesterday and sent it out to beta readers and I managed three small sketchbook drawings (one was awful) and a cover mock-up for Hannah’s Hearing.

Have a great week!

Bear with Me

Drawing of a bear
Bear, digital, May 6, 2018

Spring is truly here! It’s astonishing to have temperatures of +27C so early in the year. With this marvelous weather comes birdsong, budding trees, and a tonne of yard work.

Between bouts of raking and digging, I continue to revise Hannah’s Hearing, a novella featuring a boomer-aged woman (think: Fredrik Bachman’s, A Man Called Ove) and I managed to get out to do at least one urban sketch.

It’s lame, I know, but I couldn’t bring myself to plant a stool on the sidewalk to draw, so I parked my car at a nearby mall and tried sketching a senior’s high-rise. I need to get over my fear of having people watch me do my work.

The bear was a digital practice drawing. I’m trying to expand my abilities and repertoire. Like many people, I gravitate to drawing faces or figures. It’s nice to change it up. For instance, I hate that my ability with perspective drawing is so iffy, that’s why I’ve been going out to draw buildings.

I’ve been listening/watching Youtube videos while I draw. Some on drawing, some on publishing, and many on thinking, philosophy, and psychology. It’s a bit like being back at university—without the writing papers bit—and I love it!

What about you? What do you listen to while you are doing your creative work?

Sometimes it’s NOT about the Product

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Sometimes it’s the Experience

I was fortunate enough, in these past ten days, to visit my lovely daughter and her family in California. The Monterey Peninsula is beautiful, Especially at this time of year. In my part of Canada we, still, have snow on the ground and though we have gorgeous spring and summer wildflowers, they are often of the retiring type–small flowers, delicately tinted. Not so in California. Is there a wild flower in the world that speaks out as much as the California poppy? Perhaps, but I haven’t visited that land yet.

My daughter is an excellent artist, and one of the things we did together was to sit side by side with our sketchbooks, drawing the natural world around us. My results weren’t stellar, but the experience was sublime!

In Progress

Character Study
Character Study in Progress

It’s been a very short week for me and I’ve managed only a little art. I’ve been home for three days, all of which were taken up by much housekeeping and preparation for a further time away.

I did manage to get started on a digital drawing. While I was drawing this I was reading about sfumato, a technique that Leonardo da Vinci used in his painting. Alright, by now I should know all about that, having studied da Vinci in art history and through books I have, including Walter Isaacson’s biography of Leonardo da Vinci. And yet, though I admired the concept of creating smokey edges, especially into the shadows where you can’t really see what is going on, I didn’t have a clear idea of how to create that effect. In this drawing, I emphasized my outlines as I’m prone to do, but somewhere along the line, I decided I didn’t want that hard cut-out kind of look.

I searched Youtube and found Michael Schmitt. To my mind he does and excellent job of describing and illustrating sfumato in this video.

Thankfully, I can go back and ease up on some of the harsh lines.

If you are like most people who studied art at university in recent years, you will not have learned much about drawing or painting technique. At my university it was all about modernism and post-modernism, and who cares about chiaroscuro and sfumato. Now, I’m finding myself interested in some of the old ways.

Artists are like that–always in progress.

Reading and Writing

Fashion Week, 2017
Fashion Week, 2017 encaustic on panel 24″ x 12″

I write, here, more often about drawing, painting, or some life things, than I do about writing.

I’ve been writing fiction for just over ten years. In that time I’ve learned a great deal. For starters I learned that I hadn’t a clue about writing fiction when I wrote my first novel. I made all the mistakes you’d expect of a first timer. In the second novel I made some of those mistakes and a few more. All during this time I was reading everything I could about the art of writing fiction. I stuffed so many things into my head that I was afraid to hold my pen, for fear of doing it wrong.

One thing about writers, they write. And when they aren’t writing their preferred genre of fiction or non-fiction they’re writing about writing. There is no shortage of writerly tutelage on the internet or in book stores. I would like to say I read them all, but that’s not possible. A new blog or book on writing pops up every day.

There is a lot to know about writing fiction, just as there is a lot to know about painting figures, but at some point its necessary to quiet down all those words–often competing ‘you should’ words–you’ve read. It’s time to put them on the back burner and figure out what you think. That’s what I’m doing and I have nothing to tell people about writing that someone else hasn’t already said better.

I’m currently revising a novella entitled Hannah’s Hearing. It’s a story of an older woman who beset, as many elderly are with issues of failure, forgets to live large and enjoy life. That is until the man in the red fedora shows up in her bedroom and everything changes.

Reading

Aside from revising and drawing, I’ve been doing a lot of reading. In particular I’ve been trying to read books that will expand my knowledge and help me think. A moment on social media makes you aware that thinking is often left behind.

Steven Pinker’s Enlightenment Now, is an excellent read and very encouraging, whether you agree with all Pinker’s premises or not. Alan Jacob’s, How to Think: A Survival Guide for a World at Odds wasn’t as much help as I thought it might be, but I did learn that we tend to lump people into camps or tribes. Lumping similar things and experiences is natural and useful, probably even necessary, but we’re often wrong, and in the process we create an ‘us and them’ ethos.

I’m currently reading Walter Isaacson’s Leonardo da Vinci, and I’ve got Daniel Kahneman’s Thinking Fast and Slow, as well as Gregg Easterbrook’s It’s Better Than it Looks lined up.

In fiction, I’ve somehow missed Michael Connelly’s The Wrong Side of Goodbye, so I’m listening to the audio version of that while I draw.

Though I’m offering Amazon links, I want you to know your local bookstore deserves support and your library is a wonderful place. For instance I borrowed the audio book by Connelly from our local library through an app called Libby. Check it out.

What about you? What are you reading or writing?

Oh, and you’re wondering about the guy in black above? A bit of eye candy, nothing more.

Huion: A New Tool

For a long time now I’ve wanted a digital graphics tablet, in particular, a screen tablet designed especially for artists. Last week I received a lovely gift of birthday money from my son, that he earmarked for a, someday, drawing tablet. You see these tablets, especially the ones developed by Wacom,the giant in graphic tablets, are very expensive.

But, but, but…

New manufacturers are catching up, and after I did a whole lot of research on graphic digital tablets, I found that companies like Huion, Ugee and others are producing excellent products at a fraction of the cost. A Wacom 13″ HD tablet on Ebay is still over a thousand dollars (CDN) whereas this lovely Huion 15.6″ HD tablet was about half that price. I pulled the trigger, as is obvious from the photos above.

So this brings me to a little philosophy about tools for artists. All credit to the wonderfulness of Wacom’s tablets, or Apples various devices, or any of those tools people rate as top of the line in paints, or inks, and papers. I’m glad these wonderful things are out there. But if you think you make art because you can’t afford these amazing things, think again. I hear that Shakespeare didn’t have a MacBook Pro and Scrivener. He managed to do a pretty good job of writing nonetheless.

I think artists are by their nature adapters. If they can’t afford one tool they’ll learn to use another. I haven’t tried a Wacom Cintiq, I can’t make a comparison between it and the Huion tablets.

Is the Huion tablet an excellent digital drawing tool?

I think so. The setup was easy. Krita, my preferred drawing application works well on it. Does it have problems? A couple. I hear it has more paralax (difference between where you put down your pen and where it draws) than some tablets. If it does, it hasn’t been a problem for me. One thing that annoys me a little is that the bottom right corner doesn’t respond as well to my pen touch as I’d like. I’ll figure a work around by moving my brush pallette to another  area of the screen.

So, yes, it’s a tool, but its also a toy and I love it!

Gasp! You’re Giving up Your Studio?

Studio View 330 Ave G

If you’re going to be a serious artist you’ve got to have a studio!

That is one of the things I learned in art school along with things like theme, balance, architectonic strength and structure. It was by far the easiest thing to understand. If you’re going to do work you need a place to do it, and if you are going to take yourself seriously and expect others to take you seriously you need a place you can call a studio. Ideally, this place is not your parents basement. At least that’s what I thought.

Before I even got my degree I managed somehow to secure a studio spaces–sometimes shared–in various warehouses in my home city. The amenities were often far from optimal when ‘very cheap’ is all you can afford. One of these studio spaces was a shared accommodation over a coat factory. On a cold November day, when a New York critic was scheduled to visit and pass comment on my art, the furnace went out. It was as bitterly cold inside as it was outside. Thank goodness she’d worn her silk socks that day.

There were times when I couldn’t afford even the lowliest space, but whenever I could I tried to have a place outside my home as a studio.

But Do you really Need a Studio Space Outside your Home?

Yes and no. The question is akin to Virginia Wolf’s need for a room of her own. I know of writers who clamp on a pair of noise cancelling headphones, find a corner in their home and write award winning material. I know visual artists who work on the kitchen table in their smallish condo. If you’re doing digital work, do you really need to rent an extra place to house your desk and computer/tablet setup? Probably not, especially if the cost of the studio eats up monies you need for that new graphics tablet.

Still, it is a nice thing to have a place to go that has only one purpose–the place you go to create your art. It’s a physical thing and a mental thing. And if your work is very large, or if you use a medium that it would be unwise to expose your family to, like say welding or encaustic painting, then a space with proper ventilation outside of your home is a must. If you have children who could be harmed by your materials, or who demand your attention at all times, you need an outside studio.

Are you judged on your seriousness as an artist by the studio space you have? Maybe, but I’d say don’t let that worry stop you from creating in whatever circumstances you find yourself. It’s not about where you create, it’s about what you create.

As a writer and a visual artist I do think it’s helpful for you to have a space you can go to to shut out distractions in order to focus. it’s helpful, but by no means a prerequisite. Artists are very good at focusing. They wouldn’t have come to their art if they weren’t. It takes a lot of focus to find your talent and go after it.

So why did I give up my studio this week?

Well, to be honest I didn’t exactly. I gave up a very nice space I had in what used to be the preacher’s office on the second floor of an old church that has been converted to studios. I loved this space, but for various reason (including a long period of creative drought–everything I painted sucked) it made sense. This does not mean I’m giving it ALL up. Another thing most artists have lots of is grit. They just keep on, keeping on.

No, I haven’t given up on painting and writing, but I have decided to convert a space in my own home to a studio.

Here is is.

Studio View 3

Painting area

Studio View 4

Digital Workspace

I don’t have the kind ventilation, here, that I would need to continue with encaustic work, so a shift in materials is in order. All to the good. I loved working in encaustic (beeswax and pigment), but I appeared to be at the end of the line with it.

The nice part of this new studio that it can be do triple duty as analog artist studio, digital workstation and writing office.

But hey you, if you can’t afford an off-site studio space or don’t have a room in your home you can commandeer, use your kitchen table. If it works it’s a worthy place. The important thing is not where you work, but that you do.

Eeyore? Pollyanna?

Thoughtful 2016Worry, 2017, encaustic on canvas

It seems to me that young adults and old adult have something in common. Fearfulness. When we’re just emerging into adulthood, we have no idea how to negotiate all the pitfalls of taking care of ourselves, fending for ourselves, making a place for ourselves and being someone. It’s all flailing and floundering and fear that we’ll embarrass ourselves and nobody special will like us. Ever.

In the middle years we kind of sort it out–at least a little. And if we haven’t sorted it out there is no time to do so now, because now we’re in it to the armpits and there’s not time to let fear hold us back. That career needs building and the family needs care. It’s a doing time.

Then comes later adulthood when somehow your back to not knowing quite how to get on in the world. Things swirl around and past you at such speed that you’re left standing slump-shouldered, mouth hanging open wondering what now. You have no idea how you got to this ridiculous place where it scary to go for a walk in case there is ice on the sidewalk, and you’re worried that your grand kids might think you smell funny.

These things can lead to many Eeyore moments for young adults and old adults alike.

I’m not going to suggest going all Pollyana,  but when life get shitty I would suggest finding something that makes you laugh, and then build on the things you know you are good at. There’s something you’re good at, always something, and if you push the limits on that thing you grow, and that is one of the most satisfying things you’ll ever do. Immerse yourself in what you are good at, and when you’re feeling like you could just about handle something else, give it a try. Be optimistic. Optimism won’t kill you you know and if you lose, try again, or try something else and maybe put ice skates on when you go for a walk.

Writing in Times of Sorrow

Elenora

I’ll tell you a story. It’s not a long story, and it is mostly not my story. It’s story about my kid sister Elenora who left this plane of existence this week. Above is a sketch I made of her. She was an eighteen-year-old beauty at the time. Her life has been rough and kind as are all our lives.

Elenora loved to come to the big city on day long shopping recursions with her big sister. It was a long day for me, I’d drive for most of an hour to an outlying town, pick her up, drive back into the city, spend the day shopping and lunching and then drive her home again before making my own way home.

On one long driving day we talked sporadically while we listened to the radio.

“Oh cool! Michael Jackson! I love him, don’t you?”

Maybe it was Thriller or Billy Jean, I don’t remember. I made some noises about not liking him all that much.

“Why?” she said.

I stumbled, not really knowing why. “Well, he had all that plastic surgery to change his face,” I said in an off-hand manner. It was a very foolish thing to say and if I didn’t know it then, I did a few minutes later.

Elenora was very quiet for a moment, then she turned to me, her eyebrows drawn together like they sometimes were when she had something important to say and she wasn’t sure how it would be taken.

“Didn’t you ever want to change something about yourself?”

“Ah, erm…I suppose so.” I was still floundering and I already knew how wrong I was, because of course I wished I could change things. Maybe a stronger chin, a less strong nose, maybe some get rid of some quirk that harmed more than it helped.

She picked at the hem of her coat for a moment, and then she said, “If I could change anything about me, I’d change it so I didn’t have Down Syndrome.”

We were both quiet for a long time then. I wanted to say, “you’re fine just the way you are,” but this wasn’t that kind of moment. This was a moment where the big sister had a lot to learn, and just maybe she did.

It is extra hard to write or paint when there is sorrow in your life. To all those struggling, hang in there. Know that you make a difference, and one day soon, you’ll create again. And Michael Jackson? I was wrong. Plain wrong about the music and the man who was trying to live in this world.